1965-66 he began the second series which coincided with a radical
change in Spanish life. The
events led to the revolt of May 68, and his painting became a living
testimony of the surrounding turmoil. The
speech was radicalized and worked as a denunciation of a present
unacceptable which departs from the romantic, but not resolved without
visceral and chaotic reality of life and full of controversy, struck
the theme of this series, inspired by a revolutionary zeal opposed to
more concrete and lyrical sense of the previous series.
axes that structured the preceding stage opened, leaving empty spaces
on which were piled gesticulating creatures, supported by walls that
were visible in the slogans written, struck by dripping stains. The
cry, without voice, compositional break between the diagonals between
the structure and violent action. The
poetics of containment came to open warfare and debate. The
black color was the protagonist.